But soon I realized that I had used too much intensity in the colours, especially in the hill. So I started again, with less color and trying to use drybrush as much as I could. This is an important technique in this medium, because the white of the paper can play an important role in communicating the light and the dryness of a summer day, and not always I remember to use it, or to use it at the right moment. So I started again, with tis in mind, and I ended up with this...
I think that this is working better. And you? Also the wetness of the shadows is someting that I will use again, in these sunny days.
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