Drawing Course 3

Hallo!! Welcome to the third lesson!! Today another good exercise I made in my first drawing course. You need a pencil, better a couple or three (I had HB, 2B, 6B at that time). Perhaps you can do it also with  mecanical pencils too. And you need time and patience: I think, it took me 6-8 hours to do this, maybe 10. Don't hurry!! Stick on't!!
Another time this is "life size", in the sense that the drawing is the same size of the model. We had copy af an engraving, but I don't remember the author. You could complicate the exercise making the drawing a scale of the model: double time bigger, or smaller, or even a third bigger. This is no fun for me but it forces you to become more acquainted with measuring, and it also sharpen your scaling ability. For me the best part is rendering, so I simplified the drawing part.
Still today I think that I should go back and revise the measuring technique, make some paintaking life drawing measuring everything.. but hardly ever I keep this aim..
I suggest not to go as you can; work middle tones, layer after layer. Usually it's better a light sign than a heavy one. Of course you can go darker then...

June Sketches

An eucalyptus in Empoli:

Watercoulor, waterbrush and watercoulor pencils.

Drawing course 2

Here it is the second lesson. Unfortunately, we left life drawing and we began to draw from scruffy copies. But this was exhalting anyway!! And I was able to practice at home.

This is an etching from Giorgio Morandi

Drawing Course 1

Aye!! Today I want to post some very old drawings. To tell the truth... they are the first after a long time. In fact that's the drawing course which turned on the passion for drawing and painting...after the long sleep after the middle school courses. Ahh.. such a sweet time... It was the beginning of 2010. To tell the truth the passion for art was instilled after I took up a course in pottery.. but that's another post.

San Miniato

A windy day. 8th March 2015. Still cold, even if you can see the coming of the spring in some buds and and canes. I was able to see white rushes and the snow on the far Appenine. I went to Corniano, on the southern side of San Miniato, with my new Schmincke Horadam watercolour.

I know.. The city with the famous stronghold isn't in my sketch... but it won't be the first time that I ignore buildings... Maybe I need more patience and precision, and I relax at best with painting natural object. But it could be a field were I pick up. And also I could try to paint the tower and the town someday.. Let's notice: too color density on the near hill. But I had to test the glazing with this strong watercolour brand. You can get almost a guache effect, and that's good for me, but need practice obviously. Pehaps, for the sake of watercolour, it's better to stay away from high density, but I think that finally the attention is focused on San Miniato hill, and that's not bad, because we have a stronger subject.

REFLECTIONS & Some sketches in the field

Here are some sketches of 2014. I'm not particularly proud of them, perhaps I shouldn't post this (and the photos are horrible too), I could make an effort on it); but I think that this can be tought and said for every post. So I will tell the world this sketches, but mostly as a "backup" sketchbook. Maybe is  cushier to collect picture here, I can see what are the worst part and think about correction, and also I can contextualize the picture, and evoke a particular mood without having the need of looking up the originals spread out somewhere in some drawers. I hope this will help me keeping motivated. If you have any comment or critics... feel free to post!!

Present for a collegue

Sometime ago, some year actually, a collegue saw a drawing of mine in wich was portraited a woman. That woman had a scarf on her had; the collegue was very fond of the picture and I gave her that little pen sketch. After some year, in wich our paths have risked to fallen apart, we are together again, not in the same office but near. So she asked me to make a St. Joseph, beacuse that scarfed woman reminds her of St. Mary. So, after some research, I found a Rembrandt's pen sketch wich was a study for a St. Joseph. I made a copy for her but also a photo (and a copy) for memory.
Here it is..

Sepia Pitt Pen on a watercolor base of ochre and  burnt umber.

Figure drawing at FAA

Another Figure drawing of May 2015. Experimenting with Blue pencil, like the ones used for comics. The blue is cool, more vibrant  Nevertheless not enough contrast for value, but the model was good for anatomy.

and a further step

Critique: usual trouble with feet. More attention to line weight and economy. Not satisfied with middle tone espressed with volumetric line. The core shadow on the left shoulder is ugly...

Train Sketches 4

Pubblico qualche altro ritratto fatto sul treno a Marzo.

I love making portraits.. Basically the sketches I do in the train are all portraits, some happier than others. Here they are four of the more recent

E già che ci sono uno studio di un torso maschile:

And also a male torso, copied from Loomis:

Figure Drawing 12/02/15

Sessione di disegno libera con modella alla Florence Art. Questa volta ho preparato un foglio Fabriano (33 x 48) con un mezzo tono a polvere di carboncino. Ho così lavorato priva verso i contorni, poi le parti scure e quelle chiare, sempre con carboncino, e pezzetti di carbone (salice e varii). Partire dai mezzi toni facilità un po' lo svolgimento: da una parte non abbiamo più il foglio bianco, dall'altra possiamo percorrere due strade per ottenere ciò che cerchiamo in termine di tono.

e in fine dopo qualche ritocco a casa...

Life Drawing 5/3/2015

Altra sessione di disegno dal vivo alla Florence Art Academy. Due ore di posa, grafite su carta Fabriano ruvida per schizzi da 120 gr, dimensione 297x420 mm.

e il disegno finale. Con tracce di carboncino e pastello, per vedere l'effetto nelle zone più scure.

Paesaggio in Ormicello 2

Sabato ho fatto un acquerello ispirato allo studio che feci a Ottobre (qui). Ho provato il nuovo acquisto: gli acquerelli per artisti Horadam Schminke (set da 12 + 12 posti vuoti). La qualità è buona.  Io ho provato solo i Cotman della Winsor & Newton, che comunque fanno il loro lavoro. Rispetto a questi però ho trovato una maggiore uniformità nella stesura e una più agevole sovrapposizione nelle velature (per i colori più trasparenti).

Last Saturday I made a watercolour inspired by a recent trip I did some months ago. I tried my new watercolour from Horadam Schminke. The quality is good! I've only tried Winsor & Newton Cotman. The colors are livelier and less granular. The overlapping of transparent glazes leads to a better result in terms of color richness.

Acquerello su carta (circa 35x25)

Fra l'altro ho cominciato anche un lavoro ad olio sempre ispirato a quel bozzetto..

Besides I begun an oil painting from thi study.